BEGIN:VCALENDAR PRODID:-//Trumba Corporation//Trumba Calendar Services 0.11.8608//EN VERSION:2.0 CALSCALE:GREGORIAN X-WR-CALNAME:Humanities Division|FSC X-WR-TIMEZONE:America/Chicago METHOD:PUBLISH BEGIN:VTIMEZONE TZID:America/Chicago BEGIN:STANDARD TZOFFSETFROM:-0500 TZOFFSETTO:-0600 TZNAME:CST DTSTART:20071104T020000 RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU END:STANDARD BEGIN:DAYLIGHT TZOFFSETFROM:-0600 TZOFFSETTO:-0500 TZNAME:CDT DTSTART:20070311T020000 RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT SUMMARY:PHENOMENOLOGIES OF PROJECTION\, AESTHETICS OF TRANSITION: ANTHON Y MCCALL 1970-79\, 2001— LOCATION:Experimental Station\, 6100 S. Blackstone Ave. DTSTART;TZID=America/Chicago:20120224T180000 DTEND;TZID=America/Chicago:20120225T220000 X-MICROSOFT-CDO-ALLDAYEVENT:FALSE URL:http://filmstudiescenter.uchicago.edu/events/2012/phenomenologies-pr ojection-aesthetics-transition DESCRIPTION:The exhibition at Experimental Station is open to the public from 6-10pm on Friday\, 2/24 and Saturday\, 2/25 - no reservations nece ssary. CATEGORIES:FSC DTSTAMP:20120112T124310Z X-TRUMBA-CUSTOMFIELD;NAME="Event Type";ID=21;TYPE=number:Exhibitions X-TRUMBA-CUSTOMFIELD;NAME="Building/Room";ID=3781;TYPE=SingleLine:Experi mental Station X-TRUMBA-CUSTOMFIELD;NAME="Primary Sponsor";ID=3071;TYPE=Enumeration:Fil m Studies Center X-TRUMBA-CUSTOMFIELD;NAME="Other Sponsor(s)";ID=3668;TYPE=SingleLine:The University of Chicago Arts Council\, The Nicholson Center for British S tudies\, The Gray Center for Arts and Inquiry\, Tom Gunning Mellon Found ation Distinguished Achievement Award\, The Franke Institute for the Hum anities\, The Karla Scherer Center for the Study of American Culture\, T he Department of Cinema and Media Studies\, The Department of Visual Art s\, The Department of English Language and Literature\, The New Media Wo rkshop\, The Mass Culture Workshop\, The Theatre and Performance Studies Workshop\, The Contemporary Art and Its Histories Workshop. X-TRUMBA-CUSTOMFIELD;NAME="Exhibition Title";ID=4544;TYPE=SingleLine:PHE NOMENOLOGIES OF PROJECTION\, AESTHETICS OF TRANSITION: ANTHONY MCCALL 19 70-79\, 2001— X-TRUMBA-CUSTOMFIELD;NAME="Presenter(s)";ID=4542;TYPE=MultiLine:Anthony McCall X-TRUMBA-CUSTOMFIELD;NAME="Open to the Public";ID=4525;TYPE=Boolean:Yes X-TRUMBA-CUSTOMFIELD;NAME="Cost";ID=11;TYPE=SingleLine:none X-TRUMBA-CUSTOMFIELD;NAME="Contact Name";ID=2901;TYPE=SingleLine:Film St udies Center X-TRUMBA-CUSTOMFIELD;NAME="Contact Phone";ID=882;TYPE=PhoneUS:773-702-85 96 X-TRUMBA-CUSTOMFIELD;NAME="Event image";ID=40;TYPE=Image:http://www.trum ba.com/i/DgBTuTEBYAO9zEXr7naoTDfC.jpg X-TRUMBA-CUSTOMFIELD;NAME="Campus Map";ID=2935;TYPE=Url:http://maps.uchi cago.edu/ X-TRUMBA-CUSTOMFIELD;NAME="Event Description";ID=1788;TYPE=MultiLine:Usi ng atmospheric haze and film projectors\, artist Anthony McCall creates beautiful\, visually captivating light sculptures that explore ideas of architecture\, duration and embodiment. Invoking comparisons to natural formations like waterfalls and moonlight\, McCall’s slowly moving lumino us projections invite visitors to step into the light\, using their bodi es to alter the shimmering forms. \n\nExperience the subtle poetics of M cCall’s rarely exhibited 'Solid Light’ films at a special two-day event at the University of Chicago\, featuring works on both celluloid film an d digital media. This exhibition and its related symposium turn a critic al spotlight onto key moments in an artistic career that has moved with singular coherence between the aesthetics of an analog and a digital med ia paradigm.\n\nThe installation You and I\, Horizontal (2005\, dv) will open the event at The Experimental Station\, a community arts incubator in Hyde Park\, Chicago on February 24 & 25\, 6-10 p.m. A special screen ing of Line Describing a Cone (1973\, 16mm) will take place on Friday at 8pm\, and its digital remake Line Describing a Cone 2.0 (2011\, dv) wil l be presented at 6:30pm on Saturday. This exhibit is free and open to t he public. X-TRUMBA-CUSTOMFIELD;NAME="Disability Clause";ID=3338;TYPE=MultiLine:Ple ase contact the event sponsor(s) if you require assistance to fully part icipate in this event. UID:http://uid.trumba.com/event/97885235 END:VEVENT BEGIN:VEVENT SUMMARY:PHENOMENOLOGIES OF PROJECTION\, AESTHETICS OF TRANSITION: ANTHON Y MCCALL 1970-79\, 2001— LOCATION:Kersten Physics Teaching Center\, 5720 S. Ellis DTSTART;TZID=America/Chicago:20120225T130000 DTEND;TZID=America/Chicago:20120225T173000 X-MICROSOFT-CDO-ALLDAYEVENT:FALSE URL:http://filmstudiescenter.uchicago.edu/events/2012/phenomenologies-pr ojection-aesthetics-transition DESCRIPTION:Reservations are required for the Symposium\, and may be mad e at filmstudiescenter.uchicago.edu. CATEGORIES:FSC DTSTAMP:20120207T131917Z X-TRUMBA-CUSTOMFIELD;NAME="Event Type";ID=21;TYPE=number:Conferences X-TRUMBA-CUSTOMFIELD;NAME="Building/Room";ID=3781;TYPE=SingleLine:Cobb 3 07 X-TRUMBA-CUSTOMFIELD;NAME="Primary Sponsor";ID=3071;TYPE=Enumeration:Fil m Studies Center X-TRUMBA-CUSTOMFIELD;NAME="Other Sponsor(s)";ID=3668;TYPE=SingleLine:The University of Chicago Arts Council\, The Nicholson Center for British S tudies\, The Gray Center for Arts and Inquiry\, Tom Gunning Mellon Found ation Distinguished Achievement Award\, Graham Foundation for Advanced S tudies in the Fine Arts\, Open Practice Committee\, The Karla Scherer Ce nter for the Study of American Culture\, The Franke Institute for the Hu manities\, The Department of Cinema and Media Studies\, The Department o f Visual Arts\, The Department of English Language and Literature\, The New Media Workshop\, The Mass Culture Workshop\, The Theatre and Perform ance Studies Workshop\, The Contemporary Art and Its Histories Workshop. X-TRUMBA-CUSTOMFIELD;NAME="Conference Title";ID=4543;TYPE=SingleLine:PHE NOMENOLOGIES OF PROJECTION\, AESTHETICS OF TRANSITION: ANTHONY MCCALL 19 70-79\, 2001— X-TRUMBA-CUSTOMFIELD;NAME="Open to the Public";ID=4525;TYPE=Boolean:Yes X-TRUMBA-CUSTOMFIELD;NAME="Contact Name";ID=2901;TYPE=SingleLine:Film St udies Center X-TRUMBA-CUSTOMFIELD;NAME="Contact Phone";ID=882;TYPE=PhoneUS:773-702-85 96 X-TRUMBA-CUSTOMFIELD;NAME="Event image";ID=40;TYPE=Image:http://www.trum ba.com/i/DgBTuTEBYAO9zEXr7naoTDfC.jpg X-TRUMBA-CUSTOMFIELD;NAME="Campus Map";ID=2935;TYPE=Url:http://maps.uchi cago.edu/ X-TRUMBA-CUSTOMFIELD;NAME="Event Description";ID=1788;TYPE=MultiLine:Usi ng atmospheric haze and film projectors\, artist Anthony McCall creates beautiful\, visually captivating light sculptures that explore ideas of architecture\, duration and embodiment. Invoking comparisons to natural formations like waterfalls and moonlight\, McCall’s slowly moving lumino us projections invite visitors to step into the light\, using their bodi es to alter the shimmering forms. \n\nExperience the subtle poetics of M cCall’s rarely exhibited 'Solid Light’ films at a special two-day event at the University of Chicago\, featuring works on both celluloid film an d digital media. This exhibition and its related symposium turn a critic al spotlight onto key moments in an artistic career that has moved with singular coherence between the aesthetics of an analog and a digital med ia paradigm.\n\nOn Saturday\, February 25\, Anthony McCall will present an artist talk at an afternoon symposium dedicated to his work\, then pa rticipate in a roundtable with a panel of distinguished curators and sch olars:\n- Chrissie Iles\, Whitney Museum of America Art\n- Tom Gunning\, Departments of Cinema and Media Studies and Art History\, University of Chicago\n- Hamza Walker\, The Renaissance Society at the University of Chicago \n- Daniel Morgan\, Departments of English\, Film and Philosophy \, University of Pittsburgh\n\nCurated by Michelle Menzies\, Ph.D. Candi date\, Department of English Language and Literature\, as a project of t he Film Studies Center Graduate Student Curatorial Program.\n\nThis even t is dedicated to the memory and legacy of Miriam Bratu Hansen (1949-201 1). X-TRUMBA-CUSTOMFIELD;NAME="Disability Clause";ID=3338;TYPE=MultiLine:Ple ase contact the event sponsor(s) if you require assistance to fully part icipate in this event. UID:http://uid.trumba.com/event/98313707 END:VEVENT BEGIN:VEVENT SUMMARY:Pictures and Sounds LOCATION:Film Studies Center\, 5811 S. Ellis DTSTART;TZID=America/Chicago:20120303T200000 DTEND;TZID=America/Chicago:20120303T200000 X-MICROSOFT-CDO-ALLDAYEVENT:FALSE URL:http://filmstudiescenter.uchicago.edu/events/2012/pictures-and-sound s CATEGORIES:FSC DTSTAMP:20111220T145951Z X-TRUMBA-CUSTOMFIELD;NAME="Event Type";ID=21;TYPE=number:Screenings X-TRUMBA-CUSTOMFIELD;NAME="Building/Room";ID=3781;TYPE=SingleLine:Cobb 3 07 X-TRUMBA-CUSTOMFIELD;NAME="Primary Sponsor";ID=3071;TYPE=Enumeration:Fil m Studies Center X-TRUMBA-CUSTOMFIELD;NAME="Other Sponsor(s)";ID=3668;TYPE=SingleLine:WHP K X-TRUMBA-CUSTOMFIELD;NAME="Contact Name";ID=2901;TYPE=SingleLine:Film St udies Center X-TRUMBA-CUSTOMFIELD;NAME="Contact Phone";ID=882;TYPE=PhoneUS:773-702-85 96 X-TRUMBA-CUSTOMFIELD;NAME="Event image";ID=40;TYPE=Image:http://www.trum ba.com/i/DgAtPDKU7uKJIp6Ees52cMmN.jpg X-TRUMBA-CUSTOMFIELD;NAME="Campus Map";ID=2935;TYPE=Url:http://maps.uchi cago.edu/ X-TRUMBA-CUSTOMFIELD;NAME="Event Description";ID=1788;TYPE=MultiLine:Pic tures and Sounds\, the annual multimedia showcase hosted by WHPK and the Film Studies Center\, presents re-imagined and improvised soundtracks t o new video work and classics of silent\, experimental\, and outsider fi lm. Live performances from a selection of artists spanning the spectrum of avant noise and free playing. Performers TBA. X-TRUMBA-CUSTOMFIELD;NAME="Disability Clause";ID=3338;TYPE=MultiLine:Ple ase contact the event sponsor(s) if you require assistance to fully part icipate in this event. UID:http://uid.trumba.com/event/97884920 END:VEVENT BEGIN:VEVENT SUMMARY:A Bitter Taste of Freedom: An Evening with Marina Goldovskaya LOCATION:Film Studies Center\, 5811 S. Ellis DTSTART;TZID=America/Chicago:20120309T190000 DTEND;TZID=America/Chicago:20120309T190000 X-MICROSOFT-CDO-ALLDAYEVENT:FALSE URL:http://filmstudiescenter.uchicago.edu/events/2012/bitter-taste-freed om CATEGORIES:FSC DTSTAMP:20111220T150205Z X-TRUMBA-CUSTOMFIELD;NAME="Event Type";ID=21;TYPE=number:Screenings X-TRUMBA-CUSTOMFIELD;NAME="Building/Room";ID=3781;TYPE=SingleLine:Cobb 3 07 X-TRUMBA-CUSTOMFIELD;NAME="Primary Sponsor";ID=3071;TYPE=Enumeration:Fil m Studies Center X-TRUMBA-CUSTOMFIELD;NAME="Contact Name";ID=2901;TYPE=SingleLine:Film St udies Center X-TRUMBA-CUSTOMFIELD;NAME="Contact Phone";ID=882;TYPE=PhoneUS:773-702-85 96 X-TRUMBA-CUSTOMFIELD;NAME="Event image";ID=40;TYPE=Image:http://www.trum ba.com/i/DgC9bk2zGsrGLsTKTIxNBcn2.jpg X-TRUMBA-CUSTOMFIELD;NAME="Campus Map";ID=2935;TYPE=Url:http://maps.uchi cago.edu/ X-TRUMBA-CUSTOMFIELD;NAME="Event Description";ID=1788;TYPE=MultiLine:Rus sian documentary filmmaker Marina Goldovskaya presents this soulful homa ge to her close friend Anna Politkovskaya\, the fearless investigative r eporter\, who was murdered on her doorstep by an unknown assailant in 20 06\, presumably for her outspoken criticism of the government-sanctioned war in Chechnya. Recipient of an Amnesty International Global Award fo r Human Rights Journalism\, A Bitter Taste of Freedom evades the convent ions of reportage\, instead weaving contextual archive and in-the-field photos with diaristic footage the filmmaker shot in Politkovskaya’s home during their many years of intimate conversations\, beginning with Gold ovskaya’s first portrait of Politkovskaya\, A Taste of Freedom (1991).\n \nMarina Goldovskaya’s work\, which includes the award-winning films Sol ovky Power (1987)\, The House on Arbat Street (1993) and The Prince is B ack (1999)\, has garnered international acclaim since the late 1980s. A s an eyewitness to a half-century of Russia’s turbulent history\, which she has spent the past 40 years meticulously archiving on celluloid and digital video\, Goldovskaya was the first Russian filmmaker to introduce a personal diary style in the documentary genre. She used this style i n The Shattered Mirror (1992)\, which chronicled the emotions of Russian s living through the turmoil of perestroika culminating in the putsch of October 1993. Currently head of the documentary program at UCLA’s Scho ol of Theater\, Film\, and Television\, Goldovskaya received a Ph.D. in Fine Arts in the Moscow State Film Institute in 1987\, taught documentar y in Moscow State University from 1966 to 1995\, and wrote numerous arti cles and six books on documentary filmmaking. Her memoir\, Woman with a Movie Camera\, was published by U Texas Press in 2006.\n\n(Marina Goldov skaya\, Sweden/US\, 2011\, DigiBeta\, Russian with English subtitles\, 8 8 min) X-TRUMBA-CUSTOMFIELD;NAME="Disability Clause";ID=3338;TYPE=MultiLine:Ple ase contact the event sponsor(s) if you require assistance to fully part icipate in this event. UID:http://uid.trumba.com/event/97884941 END:VEVENT END:VCALENDAR