This lecture has reached capacity. As a courtesy, we will offer standby seating on a first-come, first-served basis, with a line beginning at 6:30 pm in Kane Hall. We will also post a video of Reed’s lecture at simpsoncenter.org.

Brian Reed delivers a Katz Distinguished Lecture in the Humanities.

Birds, like poets, sing, but poets must use words, and that makes all the difference. This talk explores what poets have learned from avians and recounts occasions when they have taken sonic flight together, from Wordsworth, Dickinson, and Frost down to the present. In an era when the world is out of balance and earthʼs species must collaborate to survive, it becomes a pressing necessity to perfect the art of listening with care when nonhumans, too, sing.

Reed is Professor and Chair of English at the University of Washington. He is a specialist in twentieth- and twenty-first-century poetry and poetics and the author of three books—Nobody's Business: Twenty-First Century Avant-Garde Poetics (2013), Phenomenal Reading: Essays on Modern and Contemporary Poetics (2012), and Hart Crane: After His Lights (2006). Reed is the co-editor of two essay collections, Modern American Poetry: Points of Access (2013) and Situating El Lissitzky: Vitebsk, Berlin, Moscow (2003). He has written widely on image-text relations in poetry, on sound in poetry, and on poetry in relation to other arts.

Reed serves on the Executive Board of the Pacific Ancient & Modern Language Association and for 2017-2018 is president of the Modern Language Association's Poetry & Poetics Forum Executive Committee. He is on the editorial boards of Contemporary Literature, International Journal of Poetry and Poetics (China), Journal of English Language and Literature (South Korea), Journal of Poetics Research (Australia), and Modern Language Quarterly. A new book, A Mine of Intersections: Writing the History of Contemporary American Poetry, is forthcoming from the University of New Mexico Press.