The Critical Issues Lecture Series is free and open to the public. All take place via Zoom.

Register for this lecture in advance via the online meeting link above.

Read about the entire lecture series at the web link below.

Known for her meticulous attention to the interaction of form, medium, and site, Divya Mehra’s (b. 1981) work deals with her diasporic experiences and historical narratives. She incorporates found artifacts and readymade objects as active signifiers of resistance or as a reminder of the difficult realities of displacement, loss, neutrality, and oppression. Mehra works in a multitude of forms, including sculpture, print, drawing, artist books, installation, advertising, performance, video, and film. Mehra has presented numerous solo exhibitions nationally and internationally, including her most recent national touring exhibition, Afterlife of Colonialism, a reimagining of Power: It’s possible that the Sun has set on your Empire OR Why your voice does not matter: Portrait of an Imbalanced, and yet contemporary diasporic India vis-à-vis Colonial Red, Curry Sauce Yellow, and Paradise Green (2018 - 2020) where both installation and title evolved as the tour unfolded, culminating with a presentation at the National Gallery of Canada (2022). Mehra’s work has been exhibited, screened, and commissioned by Creative Time, New York, NY; MoMA PS1, New York, NY; The Queens Museum of Art, New York, NY; MASS MoCA, North Adams, MA; The Banff Centre, Banff, AB; CCA Wattis Institute, San Francisco, CA; Artspeak, Vancouver, BC; Art Gallery of Ontario, Toronto, ON; Consulate General of India in New York, NY; Georgia Scherman Projects, Toronto, ON; and the Embassy of Canada in Washington, Washington, D.C, among many others. Mehra holds an MFA from Columbia University and in 2020 Mehra was the recipient of the Wanda Koop Research Fund.